He’s a quick-witted and square-jawed computer program (looking very New Wave) who exists only on TV screens and computer monitors. Max Headroom is a British-produced American science fiction television series by Chrysalis/Lakeside Productions that aired in the United States on ABC from. But it’s his digital id and super-ego - Max Headroom - that gives the show its heart and critical nature.ĭuring the show’s first episode, Carter is thrown from his motorcycle, an incident that spawns Headroom. One of the reporters working for Network 23 - and doing everything he can to derail its sinister executives - is Edison Carter, an investigative journalist whose camera feeds live reports straight to this media-saturated society.Īs the show’s main star, Carter sees the most action show after show. Back in the 1980s, it looked like computers were going to be able to do just about anything. Manufacturing terrorist attacks and attempting to kill their own journalists are not beneath them. A description of tropes appearing in Max Headroom. Their executives sit in poorly lit war rooms, where they hatch one unethical moneymaking plot after another. Media conglomerates care more about ratings and advertising profits than truth. But it’s the show’s main theme that really got to undermining what the “Me” Decade was built upon.
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